安妮·伊隆泽
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导演:
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安妮·艾蒙德
剧情:
This is about Adam (45) owns a kennel. He is a profoundly good and generous, almost naive, man who struggles with depression and eco-anxiety. Via the technical support number for a light therapy lamp he recently purchased, he meets Tina (45), a settled, incredibly sweet mother from northern Ontario. They talk for many hours on the phone. When they meet, everything is turned ups...
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梅纳·高尔,安妮塔·劳费尔
剧情:
The series unfolds as an epic drama, chronicling three generations of the influential Forsyte family during the early 20th century. Beneath their imposing facade, the family harbors a tumultuous core of unhappy and brutal relationships. Soames Forsyte, a formidable London solicitor and a key figure in the influential family, accustomed to securing his desires, becomes fixated on marrying the beautiful but indifferent Irene. Despite her initial resistance and passion for art and beauty, Irene succumbs to a life of affluence with Soames but remains adamant about not becoming his possession. As the absence of love becomes apparent and Irene falls for a young architect, Soames, determined to assert control, resorts to coercive measures he couldn’t buy with wealth alone.
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迈克尔·珊农
剧情:
Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.






























